Dinnerware

Our modern dinnerware sets span everyday stoneware in muted tones through to fine porcelain for more formal occasions. Chosen to mix across sets and makers, each piece is made to handle a weeknight supper, a Saturday lunch and a Christmas table without needing to live on a high shelf between outings.

  • New
    Yukishino Tayo Bowl 17 x 9cm Yukishino Tayo Bowl 17 x 9cm
    By Tokyo Design Studio
    £20
  • New
    Minoyaki Eclipse Deep Plate 23cm Minoyaki Eclipse Deep Plate 23cm
    By Tokyo Design Studio
    £20
  • New
    Satomaki Tokusa Round Plate 16.5cm Satomaki Tokusa Round Plate 16.5cm
    By Tokyo Design Studio
    £14
  • New
    Satomaki Tokusa Ramen Bowl 21.5 x 9cm Satomaki Tokusa Ramen Bowl 21.5 x 9cm
    By Tokyo Design Studio
    £25
  • New
    Picardie Plate Set of 6 Picardie Plate Set of 6
  • New
    Yukishino Ramen Bowl 21.5cm x 9cm Yukishino Ramen Bowl 21.5cm x 9cm
    By Tokyo Design Studio
    £25

A four-place set covering dinner plates, side plates and bowls carries a small household comfortably, while six or eight settings handle most entertaining. Buying open stock so you can replace or extend individual pieces over the years keeps the collection future-proof and saves replacing the whole set when one piece breaks.

Off-white, ivory and soft grey sit happily against any table linen, tablecloth or food styling, and let seasonal changes come through in glassware and accessories instead. Saturated colours have their place as a second set, used deliberately when the mood shifts, rather than competing with the food on an everyday plate.

Stoneware has a reassuring weight and hides small imperfections, making it the practical everyday choice. Porcelain is finer, whiter and feels more formal in hand, suiting settings where you want a step-change in ceremony. Owning one of each, in complementary tones, gives the table two registers to draw on.

Most contemporary dinnerware handles standard microwave and dishwasher use, provided the glaze is free of metallic detail. Hand-painted or gilded pieces should skip both, and any plate with a matte external finish benefits from a lower-temperature cycle to keep the texture looking as intended over the years.