{"id":27344,"date":"2022-01-28T19:57:00","date_gmt":"2022-01-28T19:57:00","guid":{"rendered":"https:\/\/www.heals.com\/blog\/?p=27344"},"modified":"2022-01-30T19:57:46","modified_gmt":"2022-01-30T19:57:46","slug":"designers-at-heals-rising-talent","status":"publish","type":"post","link":"https:\/\/www.heals.com\/blog\/designers-at-heals-rising-talent\/","title":{"rendered":"Designers at Heal\u2019s: Rising Talent"},"content":{"rendered":"\n
\"up-and-coming<\/a><\/figure>\n\n\n\n
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Our Rising Stars are some of the UK\u2019s most pioneering up-and-coming designers. Their craftsmanship, innovation and design talent guarantee they\u2019ll be big names in years to come. So, without further ado, let us introduce you!<\/p>\n\n\n\n

Lea Randebrock<\/strong><\/h2>\n\n\n\n
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\"Lea<\/a><\/figure>\n\n\n\n
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Committed to designing products that consider ecological and social implications, Lea Randebrock explores the idea of how people can consume in more sustainable ways.<\/p>\n\n\n\n

Taking offcuts of glass which are often thrown away, Lea has worked with the London Glass Company to develop unique and beautiful vases exclusively for Heal’s. The bubbles seen within the vases are a natural process when reheating the glass offcuts, often seen as an error for glassmakers, Lea has turned it into a beautiful feature of Fusion <\/a>collection.<\/p>\n\n\n\n

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\"Fushion<\/a>
Fushion vases<\/a><\/figcaption><\/figure>\n\n\n\n
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\u201cI grew up in a very eco-conscious surrounding, so considering how my actions might impact the planet is very natural to me. At university, we read “Design for the Real World”\u202fby Victor Papaneck, and his quote: \u201cThere are professions more harmful than industrial design but only a few of them\u201d\u202fstuck with me. It was then I realised that designers have a responsibility when designing for mass-production. Ever since, I have designed products that consider the ecologic and social implications, to the best of my knowledge and ability. I try to approach design from different perspectives, experimenting with the idea of how we might be able to consume in more sustainable ways.\u201d<\/p>\n\n\n\n

\u201cI wanted to look at the circular economy, and glass can be infinitely recycled and remelted again \u2013 this is a really rare quality and something I found interesting from a systemic perspective. The project took a lot of unexpected turns, but I\u2019ve learned so much and I am grateful for Heal\u2019s trust and support in bringing my experimental designs to life.\u201d<\/p>\n\n\n\n

Studio Gud<\/strong><\/h2>\n\n\n\n
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\"Studio<\/a><\/figure>\n\n\n\n
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Founded by designers Alexandre Kumagai and Paulo Neves in 2010, Studio Gud explores the relationship between objects, spaces and stories. Since 2016, the studio is run by Paulo Neves.<\/p>\n\n\n\n

\u201cIt has always fascinated me the way spaces and objects interact with people, no matter the scale; also, the memories and the stories they bring or trigger. I like to work having in mind that creation is a full circle – the empathy we grow towards something will allow awareness to its true value.\u201d<\/p>\n\n\n\n

\u201cProduct design, and furniture design to be more precise, was a path that carved itself, as the studio was born simply to create – create ideas that could be brought to life within close radius and create empathy, explore the process, the materials, the craftsmanship. And so with that it started: from makers nearby, with known materials, to bring new approaches, new stories and visions for the future. Inspiration comes from anything that surrounds you. Being attentive, empathic and curious is part of the studio\u2019s design culture.\u201d<\/p>\n\n\n\n

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\"Cabinet<\/a>
Keep cabinet<\/a><\/figcaption><\/figure>\n\n\n\n
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\u201cThe \u2018Keep’ cabinet took shape through the idea of displaying and protecting a personal vision, personal landscape. And so the narrative developed into the frame-like design – an open window to imagination. It was thought to give content the space and the accent that it needed. The challenge was always to design it keeping in mind that it was going to contain other objects, but it had to appeal to the imagination by itself.\u201d<\/p>\n\n\n\n

\u201cThe \u2018Notch\u2019 coffee table develop from experiences playing around how materials could be in balance: flesh and bone, warm and cold, wood and marble. The making of space for details celebrates this dialog and creates continuity by exploring these structural connections.\u201d<\/p>\n\n\n\n

\u201cAbout \u2018CanCan\u2019 coat hanger for WEWOOD, it has a very cool story. The idea came from researching height and structure for the type of object: the coat hanger’s arms and legs suggest movements that allude to the movements of the \u2018cancan\u2019 dance. The four identical pieces are tied up together with a single leather cord, which creates a visual pattern reminiscent of the corsets used by the dancers. Traditionally, \u2018cancan\u2019 dancers have 1,70m in height, which is the same height of the coat hanger.\u201d<\/p>\n\n\n\n

\u201cWhen the \u2018Orca\u2019 chair was designed we were trying to develop work around the concepts of heaviness and lightness. What could seem light and inspire elegance, although being heavy and rigid in its core – thus the orca metaphor. A light and fluid movement only achievable by seeking to highlight the best manufacturing skills. \u2018Orca’ chair, for Wewood, is a sculptural chair made of solid oak or walnut wood only possible by working closely with craftsmanship and materials.\u201d<\/p>\n\n\n\n

Divine Savages<\/strong><\/h2>\n\n\n\n
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\"Jamie<\/a><\/figure>\n\n\n\n
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Determined to do interiors their way, Jamie Watkins and Tom Kennedy founded Divine Savages in 2017; taking inspiration from history, culture, fashion and the natural world to create a melting pot of influences.
\u201cWe find inspiration in many different places. Living in a city like London inspires us all the time; it\u2019s such a vibrant place with so much going on. We love soaking up culture at museums, events or exhibitions and Tom often carries a little notebook to scribble down anything that catches his eye!\u201d<\/p>\n\n\n\n

\u201cThe natural world is also a huge source of inspiration for our designs \u2013 we\u2019ve been lucky enough to visit some amazing places and landscapes over the years so this all permeates through into our design work. Collaborating with London\u2019s Natural History museum on a collection was a dream come true for us!\u201d
\u201cWe\u2019re also massive vintage fans \u2013 so you\u2019ll often find us wandering around junk shops, antiques fairs and markets finding new treasures that inspire us. We love vintage illustrations, old magazines and books and often we\u2019ll rework some of these traditional elements into our designs, adding our Divine Savages twist.\u201d<\/p>\n\n\n\n

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\"Botanize<\/a>
Botanize Heritage cushions<\/a><\/figcaption><\/figure>\n\n\n\n
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\u201cWe\u2019ll often play around with different patterns and layouts until we\u2019re happy with the overall balance of the design and then the fun begins with different colour schemes, which can take quite a long time for us to agree on!\u201d
\u201cSeeing our Botanize Heritage collection<\/a> on display in the store is so surreal, we still can\u2019t quite believe it! We love the history of Heal\u2019s and how you support younger designers and brands, giving them a platform \u2013 so we are very grateful to be a part of that special story.\u201d<\/p>\n\n\n\n

Annabel Cucuz<\/strong><\/h2>\n\n\n\n
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\"Annabel<\/a><\/figure>\n\n\n\n
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A recent graduate of the Edinburgh College of Art, Annabel Cucuz takes inspiration from her home in Staffordshire, which lies at the heart of Britain\u2019s pottery industry.<\/p>\n\n\n\n

Working with local clay suppliers to create beautiful stoneware, each of Annabel\u2019s hand-sculpted vases are entirely unique. The pieces delve into the complexity of design aesthetics, playing on the idea of being disguised within any interior, whilst evoking a nostalgic feeling.<\/p>\n\n\n\n

\u201cI love flicking through interior design books published in the latter half of the 20th century, particularly the 70s and 80s, which I source from charity shops and eBay. They evoke a weirdly ambiguous and unreachable nostalgia for me \u2013 it\u2019s strange to feel a nostalgia for a time when I wasn\u2019t alive. I attempt to capture this feeling in my sculptures by echoing certain themes or shapes that appear in different interior settings.\u201c<\/p>\n\n\n\n

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\"Annabel<\/a>
Annabel Cucuz collection<\/a><\/figcaption><\/figure>\n\n\n\n
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\u201cWhen designing, I fill sketchbooks with drawings that I\u2019ll create whilst researching, and my sculptural forms evolve from this visual research. My pieces play on the idea of being able to disguise themselves into any interior, whilst being able to evoke that nostalgic feeling. They exist in the visual in-between.\u201d<\/p>\n\n\n\n

\u201cMy collection<\/a> with Heal\u2019s consists of repeated forms that run in parallel with my artistic practice of one-off pieces. My ethos runs heavily on being so interested in the history of interiors and architecture, allowing that to inspire my sculptural forms on a smaller scale so that they can be enjoyed by anybody in their homes. Being so interested in architecture and design has pulled my art away from working exclusively with a white cube gallery scenario in mind \u2013 instead, I like to create works that can help to elevate domestic settings. Work that people live amongst \u2013 work that will naturally be embraced for longer than the few seconds a person might spend in front of it in a gallery.\u201d<\/p>\n\n\n\n

Amechi Portrait<\/strong><\/h2>\n\n\n\n
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\"Amechi<\/a><\/figure>\n\n\n\n
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Officially launched in December 2020, Amechi Mandi\u2019s eponymous homeware brand is a purpose-driven enterprise. Having become dissatisfied with the range of West African-inspired home d\u00e9cor on the market, Amechi looks to celebrate pre-colonial African heritage through exciting and inspiring products, which explore aspects of indigenous African traditions and cultures. The collection launched as part of Heal\u2019s Discovers 2021 and features five vibrant designs across velvet and linen cushions.<\/p>\n\n\n\n

\u201cI take inspiration from indigenous African traditions and cultures. This can range from textiles, art and other cultural aspects which served as communication expressions. For example, scarification is common amongst many indigenous cultures in Africa, while body paintings or mud house wall colourings are all expressions that communicate a particular message within societal structures, distinct to the community where the expression originated.\u201d<\/p>\n\n\n\n

\u201cI reimagine these inspirations into practical items for everyday use in a contemporary home setting. Each design is hand drawn until I\u2019m satisfied with the outcome, then will go through prototyping here in London, with sample printing and sewing, to see what else might need to be altered before sending to the manufacturer.\u201d<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"Amechi<\/a>
Amechi cushions<\/a><\/figcaption><\/figure>\n\n\n\n
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\u201cThe goal of the brand is to support the communities that inspire me. My Amechi collection<\/a> is inspired by modesty aprons that were worn by the Kirdi people of Northern Cameroon. I initially started talking with some youth leaders in that part of the country to set up a little cooperative, where I would support young women by teaching vocational skills, such as sewing, so that they could go on to start their own businesses. This proved complicated for many reasons \u2013 mainly due to the unrests in the region, especially the Boko Haram insurgencies.\u201d<\/p>\n\n\n\n

Patricia Perez<\/strong><\/h2>\n\n\n\n
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\"Patricia<\/a><\/figure>\n\n\n\n
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Born in Spain in 1983, Patricia Perez studied Industrial Design Engineering and Product Design in Barcelona. Upon receiving a grant to study jewellery, she moved to Brighton and later to London where she worked as an intern for Michael Sodeau, before developing her career in product and interior design.<\/p>\n\n\n\n

Driven by a curiosity for how things are made, Perez loves to visit factories to watch the machinery and engineering process taking place.<\/p>\n\n\n\n

\u201cDesign is something that has always been very present at my home since I was very little although I never knew that was the path I was going to follow as an adult. It wasn\u2019t until considering University that design became a tangible career path to focus my creativity.\u201d<\/p>\n\n\n\n

\u201cWhen I finished University, I decided to move to London and started working at different design studios which I think helped me to define what I like and my style in general. I also worked as an interior designer which gave me a wider view – not focusing just on product, and feel this is why functionality is so important in my designs.\u201d<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"Mouro<\/a>
Mouro lamp<\/a><\/figcaption><\/figure>\n\n\n\n
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\u201cI began thinking about the portable lamps while on the hunt for one for myself. Having your own need is often a spark for new design as you identify and intimately understand the requirements. For me, the main one being that it should be directional as well as portable to maximise its range of use: from a focussed side table light for reading to a softer ambient light you could place wirelessly on a shelf, none that I could find satisfied both. I also wanted something that had weight and permanence so knew the material choice and construction would lend to the development of the form and scale. All of the lighting components are housed within the framed disk allowing it to fully rotate and change the light while the solid steel block at the base gives it weight, stability and is satisfying to hold. \u201c<\/p>\n\n\n\n

\u201cI’m from Santander, and the Mouro <\/a>lighthouse is an enduring reference point for me so I wanted to pay homage by naming the finished product after it.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Our Rising Stars are some of the UK\u2019s most pioneering up-and-coming designers. Their craftsmanship, innovation and design talent guarantee they\u2019ll be big names in years to come. So, without further ado, let us introduce you! Lea Randebrock Committed to designing products that consider ecological and social implications, Lea Randebrock explores the idea of how people […]<\/p>\n","protected":false},"author":1,"featured_media":27346,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-27344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-behind-the-design"],"yoast_head":"\nDesigners at Heal\u2019s: Rising Talent - Heal's Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heals.com\/blog\/designers-at-heals-rising-talent\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Designers at Heal\u2019s: Rising Talent - Heal's Blog\" \/>\n<meta property=\"og:description\" content=\"Our Rising Stars are some of the UK\u2019s most pioneering up-and-coming designers. 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Lea Randebrock Committed to designing products that consider ecological and social implications, Lea Randebrock explores the idea of how people […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.heals.com\/blog\/designers-at-heals-rising-talent\/\" \/>\n<meta property=\"og:site_name\" content=\"Heal's Blog\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Heals\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-28T19:57:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-30T19:57:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.heals.com\/blog\/wp-content\/uploads\/2022\/01\/up-and-coming-designers.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"720\" \/>\n\t<meta property=\"og:image:height\" content=\"581\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Heal's\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@heals_furniture\" \/>\n<meta name=\"twitter:site\" content=\"@heals_furniture\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Heal's\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/designers-at-heals-rising-talent\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/designers-at-heals-rising-talent\\\/\"},\"author\":{\"name\":\"Heal's\",\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/#\\\/schema\\\/person\\\/a93e0bdf46a88f2908bad68eb6f4a366\"},\"headline\":\"Designers at Heal\u2019s: Rising Talent\",\"datePublished\":\"2022-01-28T19:57:00+00:00\",\"dateModified\":\"2022-01-30T19:57:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/designers-at-heals-rising-talent\\\/\"},\"wordCount\":2015,\"publisher\":{\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/designers-at-heals-rising-talent\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/up-and-coming-designers.jpg\",\"articleSection\":[\"Behind The Design\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/designers-at-heals-rising-talent\\\/\",\"url\":\"https:\\\/\\\/www.heals.com\\\/blog\\\/designers-at-heals-rising-talent\\\/\",\"name\":\"Designers at Heal\u2019s: Rising Talent - 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